This article is written by: Zaheen Danish

Rafi Sahab with RD Burman

When we talk about the combination of Rafi Sahab and R.D. Burman and about their partnership,  some of the finest songs that were composed by RDB trying to resurface on the thin layer of memory instantly  such as – “Tum bin jaoun kahan”, “Ni sultana re pyar ka mausam aya”  “ kitna pyara wada” , “Arrey ho goriyan kahan tera desh re”,  “Chura liya hai tumne jo dilko”, “Yeh ladka hai alla kaisa hai diwana”,  “Hai agar dushman zamana gham nahi”, “Kya hua tera wada”,  “Chand mera dil”, “Pal do pal ka saath hamaara” and Maine poocha chand se. RD Burman started his journey with Chote Nawab in 1962 with the help of the man with the golden voice, Mohammad Rafi.

Major songs in the film was sung by Rafi and RD Burman commanded respect in the musical community of that period, who were still mesmerised with the classical compositions of Naushad, folk songs of SD Burman, western effects of Shankar Jaikishan, OP Nayyar, Salil Chowdhury, Ghazals of Roshan, Madan mohan. RD Burman had other skills like playing the mouth organ, tabla and other related instruments and he showed his skill while playing the mouth organ for Laxmikant Pyarellal in the film Dosti, 1964 where Rafi had galvanised the silver screen with his tragic andaz. (more…)

This article is penned by Mr.Biman Baruah,Goregan(E), Mumbai

Mohd Rafi with Verma Mallick, Devendra Goel, Ravi

Legendary music composer Ravi Shankar Sharma popularly known as RAVI expired on 7th March, 2012 due to cardiac arrest who celebrated his 86th birthday with friends three days before his death. He was survived by his separated son Ajay and daughter in law, actress Varsha Ushgonkar.

On his death, his filmmaker friend, A. Krishnamurthi remarked, “Ravi was noted for his heart-touching, soft, melodious tunes, which made his songs and music immortal and is hummed even today, decades after he composed them. As well as he was a very fine gentlemen and a great human being.” (more…)

Compiled by: Sri Biman Baruah, a resident of Gokuldham ONGC Colony, Film City Road, Goregaon(East), Mumbai-400063.

Mohd Rafi Sahab and Dr. Bhupen Hazarika

RAMZANORE  ROOZA  GOL
ULLAL  EIDAR  JOON
CHENEHARE  MEHFILATE  
BAHE  AAJI  KAUN…… 2

(Ramzan’s Rooza has Ended, Moon of EID is Spotted, Who will be seated in the Assemble of Worship)

It was the sole famous qawwali song from Assamese film, Lati-Ghati (1966), where two legendry singers, Mohammed Rafi and Dr. Bhupen Hazarika shared their golden voice with chorus. The song begins with voice of Rafi Sahab with chorus and in middle of song Dr. Hazarika joins them. The thesis of the song is the celebration of EID at the end of holy month of Ramzan by Hindu and Muslim together with communal harmony in a small village called Hajoo nearGuwahati,Assam. The lyrics and music of the song was penned by Dr. Bhupen Hazarika with direction of the film. Dr. Hazarika was the first person fromAssam who led the way of pioneering the Assamese cinema and culture in national and international cinema graph. (more…)

Written By : Suneil Makwana

Rafi Sahab's Final Resting Place

I am Suneil Makwana from Mumbai and I am a big fan of The Legend Immortal & Eternal Singer Mohd. Rafisaab. I like to listen Rafisaab’s melodious songs and his voice give me peace to my mind. Unfortunately, I have not met the Legend because I have born in 1985 and I think it’s my bad luck Rafisaab left us in the year of 1980 but when I listen songs rendered by the legend I feel that he is somewhere around. (more…)

By Souvik Chatterji

Mohd Rafi and Biswajeet

Bengali actor Biswajeet Chatterjee after acting in hit films in Bengali namely Mayamrigo in 1960 and Dui Bhai in 1961 went to Mumbai to pursue his acting career there. He made his debut in the film Bees Saal Baad where Hemant Kumar was the producer of the film and also the music composer.

In a short period of time Biswajeet got roles to play in films of different producers and directors namely Nasir Hussain, Satyen Bose, Hrishikesh Mukherjee and others. Mohammad Rafi played a very important role in the success story of Biswajeet’s films because most of the films ended up being musical blockbusters. (more…)

By H.V.Guru Murthy

Mohd Rafi

Which is your most favourite song in the history of Hindi film music during the past eighty years? If any body puts this question to me, I would rather not answer, as how can you choose just one song out of thousands of songs especially if you consider that versatile singers like Rafi Saab, Lataji, KK, Ashaji, Mannada, Mukeshji, Hemantda, Talatji, etc. etc. have sung so many wonderful wonderful songs.

But precisely a similar exercise was carried by the Magazine OUTLOOK in their 2006 June issue. Thirty prominent musicians of the Hindi Film Industry including Manandey, Mahendra Kapoor, Khayyam, Rajesh Roshan, Gulzar, Javid Akhtar, etc. were chosen to be in the Jury and were given the task to select the best songs. (more…)

This article is written by Mr. H.V.Guru Murthy

Mohd Rafi with other playback singers

Just imagine if Mohammed Rafi Saab had sung “Mere Naina Sawan Bhadon” from ‘Mehbooba’ instead of Kishore. Well, this classical song was a Do Pehlu, sung both by KK and Lata. RD Burman, the Music Director of the movie had chosen these two Singers for rendering the song. Where as Lata excelled, in fact sung effortlessly, KK showed the strain and could not match Lataji in this round and RDB lost a golden opportunity to give one of the best do-pehlu’s of Hindi film industry. KK was not suited for this classical number and if only RDB had given this song to Rafi, the Farishta would have converted this song to a memorable one, matching Lata, step by step, sur by sur. (more…)