Aye Gulbadan Aye Gulbadan from the 1962 film Professor is a timeless gem that showcases the unparalleled voice of Mohammed Rafi, capturing the essence of love’s sweet complexity.

When we talk about the golden era of Bollywood music, the song “Aye Gulbadan Aye Gulbadan” from the 1962 film Professor stands as a shining example of the magic created by Mohammed Rafi, the voice that touched millions. As a die-hard fan of Mohammed Rafi, the depth, emotion, and sheer brilliance of this song resonate deeply with me, encapsulating the essence of a time when music was pure, soulful, and evergreen. Rafi Sahab was nominated for Filmfare award for this song.

The song was shot in Kashmir, one of the most picturesque locations in India, which added to the visual appeal of the song. Shammi Kapoor, known for his energetic and often improvisational style, played a significant role in how the song was eventually presented on screen.

During the shooting of the song, Shammi Kapoor was not content with just following the director’s instructions. He was known for his spontaneity and brought his own flair to the song, which included the way he interacted with the camera, his playful expressions, and his iconic dance moves. In one instance, while shooting “Aye Gulbadan,” he suggested certain changes in how the song should be filmed, particularly in how he would approach and serenade Kalpana Mohan. His suggestions were well-received by the director and the crew, and they added a unique charm to the song that made it memorable.

Moreover, the shooting location in Kashmir had its challenges, especially with the cold weather. The crew had to ensure that the scenes reflected the warmth of the romantic lyrics, despite the chilly conditions. Shammi Kapoor’s ability to bring energy and warmth to his performance was crucial in overcoming these challenges, resulting in a song that feels as fresh and lively today as it did back then.

This reflects not just Shammi Kapoor’s dedication to his craft but also his creative input that helped elevate many of the songs he was part of, making them timeless classics.

The Emotions and Depth of “Aye Gulbadan Aye Gulbadan”

Aye Gulbadan Aye Gulbadan, Phoolon Ki Mehak Kaanton Ki Chubhan,
Tujhe Dekh Ke Kehta Hai Mera Man, Kahin Aaj Kisise Mohabbat Na Ho Jaaye

अए गुलबदन अए गुलबदन, फूलों की महक कांटों की चुभन,
तुझे देख के कहता है मेरा मन, कहीं आज किसीसे मोहब्बत ना हो जाये

The opening lines of the song set the tone for a journey through the emotions of love, hesitation, and wonder. Rafi Saab’s voice beautifully conveys the tenderness and complexity of love, where the sweetness of attraction is tinged with the fear of vulnerability. The lyricist, Hasrat Jaipuri, uses the metaphor of a flower’s fragrance and the pain of its thorns to depict the dual nature of love—a theme that resonates with anyone who has ever experienced the joy and pain of falling in love.

Rafi Sahab’s voice without music singing Ay Gulbadan

Kya Haseen Mod Par Aa Gayi Zindgani, Key Haqeeqat Na Ban Jaaye Meri Kahani,
Jab Aahen Bhare Ye Thandi Pawan, Seene Mein Sulag Uthti Hai Agan

क्या हसीन मोड़ पर आ गई ज़िंदगानी, के हकीकत ना बन जाये मेरी कहानी,
जब आहें भरे ये ठंडी पवन, सीने में सुलग उठती है अगन

In these lines, the lyricist delves deeper into the protagonist’s inner turmoil. The beauty of life has reached a turning point, and there is a palpable tension between reality and desire. The cool breeze, symbolic of calmness and peace, ironically stirs up a burning passion within the heart. Rafi Saab’s rendition captures this emotional conflict, bringing to life the lyricist’s vision of a love that is both calming and unsettling.

Kya Ajeeb Rang Mein Saj Rahi Hai Khudaai, Ke Har Cheez Malik Ne Sundar Banai,
Nadiya Ka Chamakta Hai Darpan, Mukhda Dekhe Sapnon Ki Dulhan

क्या अजीब रंग में सज रही है खुदाई, के हर चीज़ मालिक ने सुंदर बनाई,
नदिया का चमकता है दर्पण, मुखड़ा देखे सपनों की दुल्हन

Here, Hasrat Jaipuri marvels at the beauty of the world, as if the entire creation has adorned itself in vibrant colors to reflect the protagonist’s state of mind. Everything around him appears beautiful, as though the divine has crafted it for this very moment. The river’s sparkling surface becomes a mirror, reflecting the face of a dream bride, symbolizing the ultimate romantic ideal. Rafi Saab’s voice, with its unmatched purity, captures this moment of transcendence, making the listener feel the protagonist’s awe and admiration.

Mein Tumhi Se Yoon Aankhen Milata Chala Hoon, Ki Tumhi Ko Mein Tumse Churaata Chala Hoon,
Mat Pooch Mera Dewaanapan, Aakash Se Oonchi Dil Ki Udan

मैं तुमही से युं आँखें मिलाता चला हूँ, कि तुमही को मैं तुमसे चुराता चला हूँ,
मत पूछ मेरा दीवानापन, आकाश से ऊँची दिल की उड़ान

In the final verse, the protagonist’s feelings reach a crescendo. His love is so intense that it feels as though he is stealing glances from the beloved, capturing her essence and keeping it for himself. The lyricist speaks of a heart soaring higher than the skies, driven by the madness of love. Once again, Rafi Saab’s voice elevates these emotions, making the listener feel the euphoria and abandon of being in love.

The Lyricist – Hasrat Jaipuri

Hasrat Jaipuri, known for his poetic brilliance, was one of the most celebrated lyricists in Bollywood. His ability to weave complex emotions into simple yet profound words made him a favorite among composers and singers alike. Some other memorable songs penned by him that were sung by Mohammed Rafi include “Baharon Phool Barsao” from Suraj (1966) and “Aji Aisa Mouka Phir Kahan” from An Evening in Paris (1967). His lyrics often explored themes of love, beauty, and the human experience, leaving an indelible mark on the hearts of listeners.

The Music Directors – Shankar Jaikishan

Shankar Jaikishan, the legendary duo, were masters at creating music that transcended time. Their compositions were known for their richness, versatility, and ability to evoke deep emotions. In Professor, they crafted melodies that perfectly complemented the film’s narrative, with “Aye Gulbadan Aye Gulbadan” being a prime example. Some other iconic songs composed by them and sung by Mohammed Rafi include “Dil Ke Jharonke Mein” from Brahmachari (1967) and “Ek Tera Sundar Mukhda” from Bhai Bhai (1970).

Also Read: It is evident that Mohammed Rafi Sahab played a significant role in composers successes

The Actors – Shammi Kapoor and Kalpana Mohan

Shammi Kapoor, the “Elvis Presley of India,” was known for his energetic and charismatic screen presence. In Professor, his portrayal of the lead character added a unique charm to the film. Paired with the talented Kalpana Mohan, their on-screen chemistry made the film a hit. Her other famous movie is Teen Devian (1965), with Dev Anand.

The Movie – Professor (1962)

Professor is a romantic comedy that tells the story of a young man who takes up a job as a tutor for two young women under the guise of an elderly professor. The film, directed by Lekh Tandon, was well-received for its engaging storyline, stellar performances, and melodious music. Shammi Kapoor’s performance, coupled with the brilliant soundtrack by Shankar Jaikishan, made it one of the most memorable films of the era.

Film: Professor
Year: 1962
Song: Aye Gulbadan
Singers: Mohammad Rafi
Music Director: Shankar Jaikishan
Lyricist: Hasrat Jaipuri
Actors: Shammi Kapoor, Kalpana Mohan

This blog was published on Monday, August 19th, 2024 at 8:20 pm and Last modified on Tuesday, August 20th, 2024 at 2:34 pm and is filed under Audio Songs. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.