By Chandan (KS Ramachandran)
36 years after his demise, we are still wondering as to how Mohammed Rafi Saab could so naturally sing maintaining all the parameters of playback singing at its optimum level. He could more than meet the expectations of some 18 front level music composers, while being so caring and considerate in obliging to the graduating second line music composers. (more…)
By Mr. Biman Baruah
Third July, 2016 was the 20th death Anniversary of stylish and iconic actor Raaj Kumar. In Indian Cinema, Raaj Kumar is specially known as a king of dialogue delivery, he was famous for his unique style of speaking and dressing in films. In most of his films, he was best known for his famous slogan “JAANI” used in his dialogues and also addressing to his co-star. His famous dialogues are: “Aapke Paon Dekhe, Bahut Haseen Hain, Inhe Zameen Pe Mat Utariyega, Maile Ho Jaayenge” from PAKEEZAH, “Jinke Ghar Sheeshey Ke Hote Hain, Woh Doosron Ke Ghar Pe Patthar Nahin Phenka Karte” from WAQT and “Na Talwaar Ki Dhar Se, Na Goliyon Ki Bauchaar Se, Banda Darta Hai Tu Sirf Parvardigar Se” from TIRANGAA. (more…)
By Sanjeev Dixit
हिन्दी सिनेमा के सर्वाधिक सुरीले एवं विविध सुर-आयाम के सर्वश्रेष्ठ पार्श्व गायक “मोहम्मद रफ़ी” की वाणी-वीणा से सुसज्जित दुर्लभ गीतों की साहित्यिक विवेचना तथा उनके गायन-साम्राज्य के पुनरावलोकन से सजी पुस्तक “वो जब याद आए बहुत याद आए” के एक लेख का सच- (more…)
by: J.K. Bhagchandani
Book writing is a serious business. And if the book is about a person who left this world more than 35 years ago, the task becomes all the more tedious as the references and contact persons of that time become fewer and hard to locate. But this tediousness of the task cannot be a reason for populating the book with inaccuracies, half-truths, flawed interpretations and biased narrations of the events of that time. The writer has the responsibility of providing truths as happened with positive focus on the person the book is intended to be written about. The latest book on Mohd. Rafi saab in Hindi “Mohd. Rafi- Wo Jab Yaad Aaye Bahut Yaad Aaye” is a prime example of such distortions. Many portions of the book are defamatory in nature, demeaning to Rafi saab. Like in many such instances, capturing publicity by such devoid-of-truth-writings seems to be the main rationale for such indulgence. (more…)
By Swaminathan Rajan
As per a blog in the internet, Naushad Ali ji, when asked the question about Mohd Rafi, he said Rafi Sahab was his most favorite singer. When the press reporter asked him the reason Naushad said for a playback singer 7 essential qualities are necessary and Rafi possessed an 8th quality too which was rare for a playback singer. (more…)
By Achal Rangaswamy
Rafi Sahab lives on, fresh as ever, in our hearts and our lives.
The testimony to this fact is:
By Souvik Chatterjee
Music lovers all across the world remember, the unforgettable musical maestro Mohd Rafi, on his birth anniversary on 24th December, 2015. He had died in 1980 and 35 years passed after his death. Yet he had created an everlasting appeal during his 35 years illustrious career which has not faded away at all. (more…)
By Swaminathan Rajan
As a kid I used to be fascinated by the title credits in movies (still am, though a tad irritated that it comes in the end, when everyone is walking out, blocking the view). Well, many title credits had tunes of the songs of the film. And I guess in some cases, the producer and/or director were so enamored with the songs, that the whole song used to be played in the title credits. (more…)
By Mr. Biman Baruah
(Wishing Happy Birthday to Rishi Kapoor Sahab with voice of Rafi Sahab)
Mohammed Rafi is the only singer peers of Hindi Cinema and Kapoor ancestors play a very significant role in Indian Cinema for last four generations starting from their commandant Prithviraj Kapoor to present heartthrob Ranbir Kapoor. Mohammed Rafi Sahab shaped intelligence of legitimate playback singing in Hindi Film Music with his widespread voice and great transforming quality in his voice. He is the first ever singer who eliminated the distance between acting and playback singing in Hindi Film. (more…)
By Dr Souvik Chatterji
Chitragupt gave very melodious tunes in the 50s and 60s and as most of his songs were sung by legend of legends Rafisahab, the songs became immortal after creation. Just because the world of music in 1960s was dominated by giants like Naushad Ali, Shankar Jaikishan, Roshanlal Nagrath, Madanmohan Kohli, less known composers like Chitragupt did not receive the recognition he deserved. (more…)